Gloss coated
A smooth, reflective coating that makes photographs and saturated colours feel vivid. It can show fingerprints and glare more easily than matte stocks.
Often used for: Flyers, postcards, photo-rich marketing pieces
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The finish beneath your design changes how a printed piece looks, feels and performs. Use this guide to start the right production conversation.
A smooth, reflective coating that makes photographs and saturated colours feel vivid. It can show fingerprints and glare more easily than matte stocks.
Often used for: Flyers, postcards, photo-rich marketing pieces
A smooth, low-glare coating with a restrained finish. It supports crisp text and rich colour while feeling more subtle than gloss.
Often used for: Brochures, presentation pieces, premium marketing
A balanced coated finish between gloss and matte. It offers good colour reproduction with less reflection and a polished feel.
Often used for: Catalogues, folders, product sheets
An absorbent, natural-feeling paper that is easy to write on. Ink can appear softer than on coated stocks because it absorbs differently.
Often used for: Letterhead, note cards, invitations, forms
Stocks with an intentionally tactile surface, metallic effect or distinctive finish. They can elevate a design but may change fine-detail and colour appearance.
Often used for: Event stationery, packaging, premium cards
Coated stocks tend to hold ink closer to the surface, which can make colour feel more saturated. Uncoated stocks absorb more ink, often producing a softer, warmer appearance. Lighting, monitor settings, materials and finishing also affect how you perceive the final piece.
For colour-critical work, discuss proofs and production expectations before approval. No digital screen can promise an exact physical print result.